Monday, January 24, 2005
100 CDs You Should Remove from Your Collection Immediately
Fascinating discussion as to what are the most over-rated albums of all time. You are guaranteed to find a dozen or so you will violently disagree with (I know I did). But its a provocative idea -- likely purposefully, so as to generate more comments and posts -- from Jaguaro:
Here' s their dissection of the average music fan's collection:
"We have not selected easy targets for removal -- we know that you know that the Milli Vanilli album you've got stashed away in a shoebox isn't exactly kosher. Nope, we chose critical darlings and must-have releases from the past and present. Some will bristle at our audacity for questioning the worth of any Beatles release or blithely pissing on Jane's Addiction's "masterpiece." Some will maintain that we're not qualified or that we'll never make an album as great as Dark Side of the Moon and accordingly should shut our traps. The approval an artist seeks by releasing an album is not guaranteed, even if music moguls, "tastemakers," and critics agree that it is merited. As music listeners, we've taken on the very modest project of flipping through our collections, listening to them, and separating the good stuff from the bad. If the creators of the "greats," the "classics," and the "hits" want to ensure that their efforts get the praise they deserve forevermore, they should take care that they are only accessible to sympathetic critics and fans.
The entries on this list fall roughly into three categories:
• Critically bullet-proof artifacts whose weighty presence on the shelf is complimented perfectly by their perpetual absence from the CD player. Critic-mandated vanity archives should be bundled up and spirited off to the used record store under the cover of night.
• Albums by new artists that have only their newness and the marketing efforts of music conglomerates to recommend them. Almost invariably, these recordings pale in comparison to those of the artists they imitate. Alternately, new albums by established artists that are slavishly hailed as the big comeback get high points with us. Like nature hates a vacuum, Jaguaro despises the Next Big Thing.
• Nostalgic favorites that maintain their place by tradition and neglect more than actual merit. These are the CDs people never get rid of because they may want to play them some time in the indefinite future (certainly not now).
I'm posting this more to spark a discussion than because I agree with Jaguaro . . . I found plenty that they are just FN wrong about.
I disagreed with their takes on:
1. The Clash - Combat Rock
5. The Beatles - Let It Be
22. The Who - Tommy
25. Beastie Boys - Paul's Boutique
28. Red Hot Chili Peppers - Blood Sugar Sex Magik
34. Dave Brubeck - Time Out
37. John Coltrane - Giant Steps
58. Ben Folds Five - Whatever and Ever, Amen
62. Green Day - Dookie
64. Pink Floyd - Dark Side of the Moon
65. Sarah McLachlan - Fumbling Towards Ecstasy, Surfacing
74. The Beatles - Sgt. Pepper's Lonely Heart's Club Band
91. Sublime - Self-titled
97. The Doors - The Best of the Doors
Most of their criticism falls into one of 4 categories:
1) We're young and stupid and wear our ignorance of musical history on our sleeves;
2) Jazz? We don't know shit about Jazz;
3) If I like melodic female vocals, does that make me gay? ;and lastly, the general catch all:
4) Alex, I'll take pretentious Bullshit for $100
That about covers it . . .
Source:
One Hundred Albums You Should Remove from Your Collection Immediately
edited by Wesley A. Kose
jaguaro.org, January 27, 2004
http://www.jaguaro.org/feature/archives/000007.html
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Comments
"Combat Rock" is a very good album, but after London Calling, it seemed a bit commercial for the "only and that ever mattered."
As to "Let it Be," its hard to imagine the Beatles were about to implode. It is a bittersweet album with many poignant songs: "Hey Jude," "Let it Be," "Get Back," and "Across The Universe" are Masterpieces, while the rest of the album -- "I've Got a Feeling," "Two of Us," and "Dig a Pony, etc -- are solid.
I thought about the 2 Police CDs as well as Physical Graffiti -- and decided to pick diffrent battle lines. But obviously, some CDs have great meaning to different people -- thats what opinion and choice are all about . . .
Posted by: Barry Ritholtz | Jan 25, 2005 5:11:34 AM
If you can get their magazine, you will see that this list is just fun. In the later list "One Hundred Albums To Add To Your Collection Immediately" they list the same artists dissed in the original.
If you want to see something far more logically argued and straight-and narrow, then read either:
- Joe S. Harrington at "www.blastitude.com/14/pg4.htm"
- David Keenan at "www.sundayherald.com/bestalbums"
- the talented "janitor-x" - eg. at "http://www.amazon.com/gp/cdp/member-reviews/A2AXIWOCL9XOMM/104-6226462-5651154?%5Fencoding=UTF8&display=public&page=14". Whereas Harrington and Keenan believe the rock critics have gone wrong in accepting commercial music after the "punk revolution", "janitor-x" believes they are totally wrong in the way they live in the sixties and seventies and see the Beatles, Grateful Dead etc. as heirs to the true ideal of rock-as-rebellion.
He might seem narrow-minded, but though an amateur "janitor-x" knows much more than most professional critics.›
Posted by: A_P_Freimann_war_gut | May 26, 2005 4:40:15 AM
excellent comment -- thanks for posting that
I'll check out the links you listed --
we'll see if this was merely an attention getting stunt
Posted by: Barry Ritholtz | May 26, 2005 6:07:06 AM
















I would agree with them on Combat Rock and Let it Be; neither of these two is a good album. But saying the same thing about "Transformer" or "Synchronicity" is just wrong. I also disagree that "Bitches' Brew" or "Physical Graffiti" could be considered to be either widely owned or critically bulletproof. The idea that anyone bought the Arrested Development album is also pretty comic.
Posted by: dsquared | Jan 25, 2005 2:48:52 AM